அலெக்ஸாந்தர் சோல்செனிட்ஸன் என்ற சுதந்திர போராளியின் மரணத்துக்கு அஞ்சலி

உலகத்தின் எடையைவிட ஒரு உண்மை வார்த்தையின் எடை பெரியது என்ற புராதனமான ரஷ்ய பழமொழியை அடிக்கடி குறிப்பிட்ட அலெக்ஸாந்தர் சோல்ஸனிட்ஸன் என்ற சுதந்திரத்தின் போராளி தனது 89ஆவது வயதில் காலமானார்.

அவருக்கு என் மனமார்ந்த அஞ்சலி.

உலகத்தில் சுதந்திரம் வாழும் காலம் மட்டும் அவரது வீர வரலாறு வாழும்.

அவரது வாழ்க்கை, சுதந்திரம் எவ்வளவு பொன்னானது என்பதை ஒரு சுதந்திர மனிதனுக்கு நினைவூட்டிக்கொண்டே இருக்கும்.

Alexander Solzhenitsyn, voice of the gulag
Alexander Solzhenitsyn, who has died aged 89 was not only a great, but a passionately committed writer – he believed it was his moral duty, in the face of systematic totalitarian obfuscation, to record Russia's 20th-century experience for posterity.

Last Updated: 1:21AM BST 04 Aug 2008

In his lecture of acceptance of the Nobel prize for Literature in 1970, Solzhenitsyn quoted a Russian proverb: "One word of truth shall outweigh the whole world."

Those words succinctly encapsulated his literary creed. In a country where autocratic leadership had long obliged the populace to seek more inspiring government, Solzhenitsyn, like Tolstoy, Dostoevsky or Akhmatova before him, became a vital source of spiritual succour to his huge circle of readers.

Despite the ban imposed on all his works after the publication of his masterly A Day in the Life of Ivan Denisovich (1962), he was very widely read – in photocopied samizdat form – in his native Russia. He was also the only Russian writer to achieve the best-seller lists in the West, and sold more than 30 million books in more than 30 languages.

Not that fame or fortune held much temptation for Solzhenitsyn. A big, loose-limbed figure, with an awesome Old Testament visage and booming voice, he was a fundamentally serious, ascetic individual, even something of a masochist, who distinguished himself, even among his long-suffering compatriots, with his capacity for enduring emotional and physical pain.

He spent much of his life in confinement – both enforced and self-imposed. Indeed having been a prisoner in his own country, Solzhenitsyn was scarcely consoled by the fruits of life in the Land of the Free.

After being expelled from Russia, where he survived nearly a decade in Stalin's gulag archipelago, he immigrated to America – only to shut himself away behind barbed-wire-topped walls in a remote mountain village in Vermont, the better to maintain his punishing working regimen.

Each year on February 9 he commemorated the day of his first arrest in 1945, by having a "convict's day", rationing himself to the diet he had eaten in the camps, 23 ounces of bread, a bowl of broth and a ladle of oats.

America was perhaps an ill-chosen destination for a man of Solzhenitsyn's stern moral temperament. If he had despised the heavy-handed Soviet rule, he came to loathe the West's "smug hedonism" in almost equal measure. This view did little to endear him to the American media, which lost no time in transforming the dissident hero into a bigoted, anti-social ingrate.

Ever since he had stepped off the Aeroflot plane in West Berlin in 1974, Solzhenitsyn had made it abundantly clear that his last wish was to be allowed to die in his homeland.

For years, his dedicated supporters predicted a glorious homecoming – an event comparable to that of Jesus riding back into Jerusalem, or even Pope John Paul II's triumphant journey back to Poland. When the return finally came, though, in the summer of 1994, it was a relatively subdued affair. That he chose to take the long, uncomfortable way home, travelling on the Trans-Siberian railway, was characteristic – as Solzhenitsyn explained, he wanted to meet "simple people and have private conversations which are not listened to."

But that his arrival was greeted by only limited crowds, made up mainly of tearful, rapturous babushkas – the only generation which had first-hand experience of Solzhenitsyn's inspiring example – must have rankled just a little.

After so many years of gruelling preparation, the "Prophet" had returned to find modern Russia gasping for all the frivolous material aspects of Western life he most despised. The circumstances which opened the way for Solzhenitsyn's return home were the very same which rendered the Russian people immune to the force of his teachings. In the minds of his compatriots, the prophet and the fanatic had become one.

Alexander Isayevich Solzhenitsyn was born in the thick of the postrevolutionary civil war at Kislovodsk, in the Caucasus in southern Russia, on December 11 1918.

His father, an artillery officer who fought throughout the First World War in the imperial Russian army, was killed in a hunting accident six months before his son was born. And young Alexander was brought up in a ramshackle cabin behind the city jail, at Rostov-on-Don, where his mother eked out a living as a stenographer.

Even as a schoolboy he knew that he would be a writer. He cultivated a love of reading during frequent visits with his aunt, who imbued him with the "beauty and meaning of the Russian Orthodox Church" and a patriotic passion for Russia's past.

According to his own account he read War and Peace in its entirety at the age of 10. He was certainly an exceptional student. But it was mathematics, rather than literature, that he went on to study at Rostov University.

Meanwhile, he switched faiths, throwing out Christianity in favour of Marxism, by which he professed himself "absolutely sincerely enthralled" – and this in spite of the fact that, at 14, he had witnessed his substitute father, an engineer friend of the family, being dragged off in the first spate of purges, and some of his father's relatives, too, denounced as kulaks and exiled to Siberia.

At university Solzhenitsyn was awarded a Stalinist scholarship for his keen work in the Communist youth league, and, before long, political and academic commitments so consumed him that during his courtship of his future wife, Natalya Reshetovskaya, Solzhenitsyn could only spare an hour late at night, after the libraries closed at 10pm, for their trysts.

Even during those precious rendezvous he was wont to bludgeon his sweetheart into testing him on his history dates; and on their brief honeymoon in 1939 he was reported to have attended more to his copy of Marx's Das Kapital, than to his young bride.

When the Second World War broke out between the Soviet Union and Germany in 1941, the couple were working as teachers in a Cossack settlement at Morozovsk, north of Rostov. Solzhenitsyn immediately volunteered for the Red Army.

He fought, first as a second lieutenant and subsequently as a captain in the artillery, across the Ukraine, Byelorussia, Poland and into East Prussia. He was a successful soldier – twice decorated for gallantry. It therefore came as a terrible shock when he was arrested, in January 1945, by Smersh.

The astonished young Marxist was shipped back to Moscow, where he was sentenced without trial to eight years in labour camps, and exile in perpetuity – apparently for having criticised Stalin's policies in a letter to a friend on another part of the front.

Shaven-headed and contrite after his encounters with the Lyubyanka squad, Solzhenitsyn swiftly revoked his belief in the dialectic. And so began his fierce struggle against the Soviet system.

In 1947 he was transferred to Marfino prison, a penal scientific research institute in Moscow, on which he would later model the "Mavrina" prison of his novel The First Circle (1968).

His refusal to co-operate with the institute's research projects probably accounted for his relocation, in 1950, to a hard labour camp at Ekibastuz, Kazakhstan, in Central Asia. There Solzhenitsyn worked as a bricklayer and smelter in some of the harshest conditions that the inclement Soviet climate could provide. None the less, he managed to write, using tiny scraps of paper which he destroyed after committing their contents to memory. These tracts would eventually make up his first "camp" novel, One Day in the Life of Ivan Denisovich (1962).

In 1949 so as not to compromise Natalya who was working on a classified chemical research project, Solzhenitsyn had agreed to a nominal divorce, though they remained in regular contact. While at Ekibastuz, however, where visits were forbidden, he and his wife became estranged. Eventually he learned that she had set up home with another man.

To add to his troubles, Solzhenitsyn was found to have developed a cancerous growth – which was removed under local anaesthesia at a prison hospital.

Soon afterwards, on the day of Stalin's death on March 5 1953, Solzhenitsyn was released from prison, having served his eight-year term. Subsequently, in exile at Kok Terek in southern Kazakhstan, he was allowed to teach mathematics and physics at a rural school.

In retrospect, this was one of the most tranquil and productive, if not exactly happy, periods of Solzhenitsyn's life, during which he wrote voraciously in secret in his spare time.

But then cancer struck again. On his way to Tashkent for radiation therapy, he fully expected to die, and he regarded his recovery as a miracle.

The successful outcome of the operation did not prevent the onset of a severe depression, and over the next few years Solzhenitsyn poured torrential anguish into his writing: besides creating new works, he transcribed many of the plays and poems that he had composed and memorised while in the camps.

The accession of Khrushchev to the leadership in the mid-1950s marked a new, gentler era in Soviet politics, and Solzhenitsyn was one of many persecuted citizens to benefit from the atmosphere of détente.

In 1956, after his conviction was formally annulled, he returned to Moscow, where he was soon reconciled with Natalya. They re-registered their marriage and moved to Ryazan, where he worked as a teacher by day and wrote by night.

It was during that period that he wrote the final version of Ivan Denisovich, as well as Matryona's Place and Cancer Ward – all of which were typed out by his wife.

Until the 22nd Congress of the Communist party in 1961 heralded a cultural thaw, Solzhenitsyn had worked under the assumption that none of his writings would ever be published. He nevertheless felt compelled to keep at it, if only because, as he later put it, "When you've been pitched headfirst into hell you just write about it."

Now, finally, it all seemed worthwhile. When he submitted the manuscript of Ivan Denisovich to the literary monthly, Novy Mir, it was accepted enthusiastically by the editor, who arranged for it to be submitted to the Kremlin for approval.

Its publication in 1962 was a major event in the Soviet Union, and made its writer famous overnight. He was admitted to the Union of Soviet Writers and hailed in Pravda as a "true helper of the party" in the "sacred and vital cause" of de-Stalinisation. Within a year the book was translated into all the major European languages, and met with almost universal praise.

At the centre of the story was Ivan Shukhov, who, like his creator, served in the Red Army in the war only to be interned in a labour camp on suspicion of being a spy.

The book described one day in Ivan's life, which began in the bitter cold of a Siberian winter at 5am, when every man rose and had to submit to a body search in the freezing wind, before going out to work on nothing more than a bowl of fish broth.

Solzhenitsyn did not succumb to the temptation of wallowing in details of torture and abuse: he made his point by concentrating on the relentless minutiae of everyday life. If Ivan did not watch his food bowl, someone would steal it. To keep over his bread, he had to sew it into his mattress. Informers were quickly knifed, as were attempted escapees, for if one man defected the rest were punished. In the camps there was one law: dog eat dog.

Camp jargon, popular sayings, slang and coarse vernacular lent authenticity to the peasant-prisoner's voice; while the narrative was masterfully couched in short, spare, staccato sentences, mirroring the one-track minds of prisoners, whose endless struggle to survive left them no time for leisurely philosophising or dreams.

Horror lurked in the meaninglessness of the times. Shukhov's humble battle to preserve his honesty and self-respect was the more poignant for his unspoken despair that life outside would be little better than that within.

Not long after the appearance of One Day, Novy Mir published a string of short stories, including For the Good of the Cause – in which an intransigent Stalinist was pitched against an idealistic schoolteacher – which confirmed his reputation, and enabled him to give up teaching and devote himself to writing.

In the meantime, Solzhenitsyn's marriage faltered further. For when he was not demanding absolute submission from his wife, the moral disciplinarian was said to be occupied in affairs with other women; and the connubial split only widened as the political climate took another turn for the worse.

Krushchev was ousted, de-Stalinisation was curtailed, and Solzhenitsyn came under suspicion. In 1965, before it could be published, the manuscript of The First Circle, as well as Solzhenitsyn's archives were confiscated by police, in what the writer later referred to as "the greatest misfortune" of his life so far.

Solzhenitsyn, by now a seasoned self-publicist, set about countering the state's smear campaign with angry letters to Brezhnev. In 1967 he addressed a moving appeal to the Writers' Union to defend literary freedom. But he was soon beaten into silence, and, removing to a small cabin at Obninsk, outside Moscow, withdrew completely into himself and his next work, The Gulag Archipelago.

In the meantime, his reputation continued to grow abroad, following publication of both The Cancer Ward and The First Circle in the West.

The former followed the decline and fall of a dozen cancer patients, their families and the hospital staff, at a clinic in the 1950s. Written in the same straightforward, expressive style as his former works, it drew a brittle counterpoint between the inane optimism of official propaganda and the inescapable aura of mortality in the clinic – what Solzhenitsyn called the transfiguring quality of suffering.

The hero, like Solzhenitsyn, was a man sentenced to hard labour for criticising Stalin. Opposite him stood the Party official, Lavrenti Pavlovich, named thus after Stalin's hatchet man, Beria. A horrible figure, convinced of his own rectitude, Lavrenti was a denouncer – though how he came to denounce his wife he could not remember.

Even the villain of the piece, however, was treated with some compassion, reduced, along with his fellow patients by the great leveller of death, to a common state of bewilderment at the senselessness of their curtailed lives.

Solzhenitsyn was at his insinuating best in Cancer Ward, milking the disease analogy for all it was worth. But this novel was by no means an unalloyed success.

Indeed, as his novels grew in size and stature, the writer showed an increasing tendency to waffle: there were times when he might have benefited from a good editor.

Diffuse, overpopulated, even tedious in passages – these were criticisms which were also levelled at First Circle, the title of which evoked the "first circle" of hell, occupied by the pre-Christian philosophers in Dante's Inferno, as a metaphor for his experiences at Marfino prison.

But though this novel suffered from complicated plots and sub-plots, it was based on a classic Solzhenitsyn idea.

At a good Russian prison in Solzhenitsyn's day, you could be sure of meeting the most interesting people in society. For in the former USSR, where most prisoners were despatched to slave labour camps, it was only a handful of the most brilliant thinkers who had the right to internment in a better order of prison.

Such was the colourful setting of First Circle, a sardonic exposure of the lunatic Soviet world of imprisoned professors – all labouring on scientific projects for the state which so fears them.

In Gulag Archipelago, his biggest project to date, Solzhenitsyn returned diligently to form. This, his first non-fiction work, confirmed that he was not so much a lyrical narrator as a brilliant chronicler of historical detail.

This huge documentation of the Soviet system of mass police terror from 1918 to 1956 was based on intense research conducted during his 11 years in prisons, camps and exile.

In contrast to his novels, which focused on the Stalinist terror, the Gulag struck at the still officially idolised figure of Lenin. Rejecting the Kremlin's thesis that Stalin alone was responsible for the "excesses" of his time, Solzhenitsyn devastatingly demonstrated that the imprisonment of millions under Stalin was only made possible by Lenin's establishment of a ruthless police state.

In 1970 Solzhenitsyn was "amazed" to discover that he was to father a child by another woman, also called Natalya, whose typing services he had enlisted after his relationship with the first Natalya deteriorated. He had refused his previous wife the luxury of motherhood – in the belief that a child would divert his energies from his authorial mission. Moreover, ever since his radiation therapy, he had deemed himself sterile.

The birth of his first son – which he treated as a gift from God – sufficed to transform his prejudice against procreation, and, after obtaining a divorce, he married Natalya II, who, though stronger and more sophisticated than his first wife, was also apparently prepared to subordinate herself completely to her husband's work.

At the climax of Solzhenitsyn's struggle with the Soviet authorities – which was further aggravated by the award of the Nobel prize – she declared herself willing to sacrifice, if pushed, the lives of her children (she had since born him another son) for the good of his cause.

In the event such drastic measures were not necessary. By the early 1970s Solzhenitsyn was an internationally celebrated symbol of resistance, whose status inhibited the Soviet authorities from taking the fatal action which befell many lesser known citizens at the time.

But, with the publication of the Gulag in the West in 1973, the Soviet authorities resolved to take action to silence him. Fearing that a trial and another prison sentence would serve only to provoke worldwide protest and damage the policy of East-West détente, the Kremlin decided to expel him from the country, in the hope that, once abroad, his voice would begin to pall and his authority decline.

In a sense, perhaps, this gamble paid off. For, although the exile's influence initially only grew in the imaginations of those Russians left behind, after the Cold War it seemed that the more he said and wrote, the less his voice was heard – as his final return home testified.

This waning response did nothing to curb Solzhenitsyn's industry, though. Once settled in Vermont he set to work in earnest on what was to be his life's opus, a "true account of the history of Russia" in the years leading up to the Revolution in 1917.

First conceived when he was a Marxist-abiding student in the 1930s, The Red Wheel was intended as a 20-volume colossus, about four times as long as War and Peace.

The first volume, August 1914, was published to some critical approval, but the next instalments were postponed, as Solzhenitsyn appeared to become overwhelmed by the magnitude of his task. With his health failing, he had to content himself with writing a mere synopsis of the remaining volumes – though these were dense enough.

Indeed time, seclusion and the advent of the democracy movement in Russia, far from tempering his ferocious Slavic conservatism, seemed only to fuel his zeal.

In 1990 he published a 16,000-word manifesto, entitled Rebuilding Russia, in which he advocated a return to a monarchic nation, "one and indivisible", with the emphasis on stern local government, by pre-Revolutionary-style zemstvos. With the "alien" Central Asian Muslim states cast off, there was to be a central role for the Orthodox Church. A democratically elected leadership, maintained the dissident, was not really desirable.

These ideas were to find repeated expression after his return home, where, though he shied from stepping into the bear pit of Russian politics, he reasserted his authority with vehement criticisms of the corruption and incompetence of the country's post-Soviet rulers, and dire warnings of impending doom.

Alexander Solzhenitsyn was one of those exceptional figures who had a message, a story to tell. Domineering and self-righteous, he was none the less a remarkable human being, a visionary, a crusader in the simplest sense, who was steered in his writing, as in his actions, by a deep sense of justice.

There can be little doubt that he was one of the writers whom the grand old man of Russian letters, Konstantin Paustovsky, had in mind when he said:

"They see the truth and they write the truth. Therefore their books survive. they live and they will go on living and there is no need to worry about the fate of their books."